Sorted based on a combination of recency & importance.
My 2 big projects going into 2025 are "Tuesday" and "I Can Be killed." I will be in charge of post-production on both films, particularly specializing in post-sound and locked cuts for each.
Premiere Pro, Avid Media Composer, and Pro Tools will be utilized for each project.
Rose Tinted Glasses (2024) - 1st Assistant Director
- Create call sheets.
- Manage cast and crew, ensure everyone is efficient, on time, and safe.
- Damage control when things go wrong.
- Hold schedule to a tee and ensure directorial team is aware when we are behind schedule.
Laced in Smoke (2024-2025) - Lead Producer
- Send mass emails, responsible for fleshing out and signing on crew.
- Weekly check-ins with departments to ensure their goals are being met.
- Manage a crew of animators to ensure goals are made in the production of a thesis film.
Ostavi Trag (2025) - 1st Assistant Director
- Passion project currently in pre-production set to film in February 2025.
- Create call sheets, email cast and crew, make sure goals are being met.
I Can Be Killed (2025) - Assistant Director
- Thesis project currently in pre-production set to film in January 2025.
- Create call sheets, email cast and crew, make sure goals are being met.
Line/Budget Producer - Be Vicarious (2025)
- Thesis project currently in pre-production set to film in February 2025.
- Calculate budget with income coming in and going out.
- Estimate expenses and manage funding for meals, location fees & rentals, paying cast & crew, production design, costuming, makeup, U-Hauls, and perks for donors.
Best Boy Electric - 5000 // 20 (2024)
- Primary Assistant to Key Grip: Key grip's right hand man, helping execute our lighting overheads
- Manage grip team: oversee daily operations of lighting crew, delegate tasks, efficient workflow.
- Equipment Organization and Maintenance: manage equipment, maintenance of lights, and organization. Ensure everything works and is safely used.
- Technical Expertise: In-depth knowledge of lighting equipment, cable management, and accessories.
- Key communication point between gaffer, key grip, crew, & other departments.
- Manage grip team: oversee daily operations of lighting crew, delegate tasks, efficient workflow.
- Equipment Organization and Maintenance: manage equipment, maintenance of lights, and organization. Ensure everything works and is safely used.
- Technical Expertise: In-depth knowledge of lighting equipment, cable management, and accessories.
- Key communication point between gaffer, key grip, crew, & other departments.
Key Production Assistant - Three in the Key (2024)
- Execute tasks from various departments including catering, working with assistant camera team, and ensuring production flowed under our producer.
- Production Workflow Management
Quick adaptation to problems (like running to walmart to buy shower curtains to save our lighting team!)
